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Static vs Warhol 'Spray cans', 2010 by STATIC
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Artwork Details
2 -layer screenprint with 13-colour spray paint on 300gsm Fabiano paper
Size: Signed, numbered, dated and stamped on recto Unframed; no apparent condition issues
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This artwork ships from an archive seller in the UK
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London based artist duo STATIC - comprised of two friends Tom Jackson and Craig Evans - have been creating work together for over a decade. Inspired by modern ‘tribes’, mythologies and the collaboration process itself, their work explores themes of duality and conflict through the use of the abstract. We love their bold, figurative assemblages that blend together pattern and portraiture through vivid collage.
London based artist duo STATIC - comprised of two friends Tom Jackson and Craig Evans - have been creating work together for over a decade. Inspired by modern ‘tribes’, mythologies and the collaboration process itself, their work explores themes of duality and conflict through the use of the abstract. We love their bold, figurative assemblages that blend together pattern and portraiture through vivid collage.
STATIC’s mixed media creations quickly grew a substantial following. They have worked with a handful of international galleries and have been commissioned to paint murals both in the UK and Japan. The artistic duo has been exhibited widely across the UK, US, Japan, Singapore, India, and Russia. Tom is a founding member of Wood Street Walls, which has a studio, Wood Street Studios, and is the studio base for STATIC. We’ve been working with STATIC since 2010.
We love STATIC's bold, figurative assemblages that blend together pattern and portraiture through vivid collage. The art duo use contrasting patterns and bold colours in their artwork, refusing to comply with norms and creating art that is boundary-pushing and fresh. Their geometric line work creates a complex maze of lines that you can't help but follow, drawing the eye across the composition.
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What is Archival Giclée
Giclée (/ʒiːˈkleɪ/ zhee-KLAY) is a neologism, ultimately derived from the French word gicleur, coined in 1991 by printmaker Jack Duganne for fine art digital prints made using inkjet printers. The name was originally applied to fine art prints created on a modified Iris printer in a process invented in the late 1980s. It has since been used widely to mean any fine-art printing, usually archival, printed by inkjet. It is often used by artists, galleries, and print shops for their high quality printing, but is also used generically for art printing of any quality.
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